INTRODUCING DIANA

Rachel Martin, Fishwife, 2022, Graphite and colored pencil on paper, 50 x 40".

Rachel Martin, Fishwife, 2022, Graphite and colored pencil on paper, 50 x 40".

Matthew Kirk, Kid Grass, 2022, Mixed media on carved insulation foam in hemlock frame, 56 x 44".

Matthew Kirk, Kid Grass, 2022, Mixed media on carved insulation foam in hemlock frame, 56 x 44".

From left, Amba Sayal-Bennett, Blur, 2020, Powder coated mild steel, magnets, tape, faux leather, 15 x 11.75 x 8.75". Philip Mueller, NRT pilot Juan Jose Padilla, 2022, Oil and pencil on canvas, 33.5 x 25.5".

From left, Amba Sayal-Bennett, Blur, 2020, Powder coated mild steel, magnets, tape, faux leather, 15 x 11.75 x 8.75". Philip Mueller, NRT pilot Juan Jose Padilla, 2022, Oil and pencil on canvas, 33.5 x 25.5".

From left: Matthew Kirk, Kid Grass, 2022, Mixed media on carved insulation foam in hemlock frame, 56 x 44". Tyler Bright Hilton, What Changed, 2019, Ink on ledger paper, 16 x 18.5". Tyler Bright Hilton, Painting Without Eyes, 2019, Ink on ledger pape

From left: Matthew Kirk, Kid Grass, 2022, Mixed media on carved insulation foam in hemlock frame, 56 x 44". Tyler Bright Hilton, What Changed, 2019, Ink on ledger paper, 16 x 18.5". Tyler Bright Hilton, Painting Without Eyes, 2019, Ink on ledger paper, 16 x 18.5". Jimmy Wright, The Eagle, 1975, Graphite on paper, 28 x 22". Rachel Martin, Fishwife, 2022, Graphite and colored pencil on paper, 50 x 40".